I always find myself losing track of time when I stand before “noborigama [ascending kilns]”, such r

Sakamoto, who has a kiln in Osaka, and who doesn't make it out to Tokyo very often, has at long last

It was as if it had meandered like driftwood from a distant island, never revealing the identity of

The value of [ceramics] lies in its use. And that’s it. Travelling all the way to the home of Echiz

"Yakishime [vitrifying]" and "Hidasuki [scarlet-red fire cord markings]". "Zangiri [technique of pl